Cite this paper
Nie, B. (2015) A Study on the Second-Person Narrative in Jennifer Egan’s
Black Box.
Open Journal of Social Sciences,
3, 51-58. doi:
10.4236/jss.2015.310008.
References
[1] Fludernik, M. (1994) Introduction: Second-Person Narrative and Related Issues. Style, 28, 281-311.
[2] Genette, G. (1980) Narrative Discourse: An Essay in Method. Cornell University Press, Ithaca and New York.
[3] Booth, W.C. (1983) The Rhetoric of Fiction. 2nd Edition, University of Chicago Press, Chicago and London.
http://dx.doi.org/10.7208/chicago/9780226065595.001.0001
[4] Prince, G. (1982) Narratology: The Form and Function of Narrative. Mouton, Berlin.
http://dx.doi.org/10.1515/9783110838626
[5] Richardson, B., Ed. (1991) The Poetics and Politics of Second Person Narrative. Genre, 24, 309-330.
[6] Fludernik, M. (1993) Second Person Fiction: Narrative You as Addressee and/or Protagonist. AAA—Arbeiten aus Anglistik und Amerikanistik, 18, 217-247.
[7] Fludernik, M. (1994) Second-Person Narrative: A Bibliography. Style, 28, 525-548.
[8] Egan, J. (2012) Black Box. The New Yorker Digital Edition. The New Yorker, New York
[9] DelConte, M. (2003) Why You Can’t Speak: Second-Person Narration, Voice, and a New Model for Understanding Narrative. Style, 37, 204-219.
[10] Phelan, J., Ed. (1994) Self-Help for Narratee and Narrative Audience: How “I”—and “You”?—Read “How”. Style, 28, 350-365.
[11] Schofield, D. (1997) Beyond The Brain of Katherine Mansfield: The Radical Potentials and Recuperations of Second- Person Narrative. Style, 31, 96-117.
[12] Lubbock, P. (1957) The Craft of Fiction. Nabu Press, Carolina.