Hall, S. (2016) Roland Barthes and His Semiotic Theory. UK Essays in Cultural Studies. Goldsmiths, University of London, London.
 Black, M.E. (1980) Key to Weaving: A Textbook of Hand Weaving for the Beginning Weaver. Macmillan Publishing Co. Inc., New York.
 Brown, R. (1979) The Weaving, Spinning and Dyeing Book. Routledye & Kegan Paul Ltd., London and Henley.
 Chetwynd, H. (1977) Weaving in Easy Steps. A Studio Vista Book. Cassell & Collier Macmillan Publishes Ltd., New York.
 Okpu, O. (2014) “The Introduction” Exploring Four-Shaft Loom for Production of Structural Drafts for Weaving Fabrics. Ph.D. Exhibition Catelogue, Ajiginni Margaret Irobunor Delta State University, Abraka.
 Elnashar, E.A. (2020) Beethoven Music Harmony in Design Weaving Fabric between Harness and Matrix Drafting Theories. International Journal of Applied Science and Research, 3, 21.
 Kovacevic, S. and Schwaiz, L. (2015) Weaving Complex Patterns—From Weaving Looms to Weaving Machines. Cutting Edge Research in Technologies INTECH.
 Ukey, P., Kadole, P.V. and Borikar, S. (2013) Direct Pattern on Loom—An Innovative Method of Garment Construction. Journal of Textile Science & Engineering, 3, 2.
 Bird, J. (1997) Creative Projects for the Home Country Fabric Style. Trafargar Squares Publishing, USA.
 Chetwynd, H. (1969) Sample Weaving. A Studies Vista. Cassell & Collier Macmillan Publishers Ltd., New York.
 Asiedu-Gyampoh, A. (1999) Contemporary Adaptation of the Nigerian Traditional Textile Industry in Delta State. First Rhythms 1999 Independence Art Exhibition. Society of Nigerian Artists, Delta State Chapter.
 Asiedu-Gyampoh, A. (2020) Textile Consultant. Personal Interview 15/5/2020.
 Seymor, R. (2002) What Is Design, Design Council’s: Design in Business Week.
 Nicole, R. (2011) Textile Design: Principles Advances and Application. Wood Head Publishing Ltd., Oxford.